


剪裁舊雜誌為物料制作蝴蝶造型,每隻蝴蝶的圖案,形狀都不相同。
將每隻隻蝴蝶置於燈箱上拍照,因燈光強烈對比,影像變為黑白效果般。
再以動畫的方式連貫圖像並無休止的廷續,展現每隻蝴蝶的動態美。
「再生蝶」擁有自身獨特的藝術造型美,不再是相同的,大量複製的消費訊息載體,不再附屬於商業世界。
影片內蝴蝶造型,不休止地,迷離地,浪漫地變化。
如同川流不息的生活雜誌定期出現和更替,炫惑感官。
作品表達雜誌的新舊交替在迷離中變化;
舊有的死亡迷散在新生中,華麗而短暫,追求永生的狀態。
生和死的界線接觸得如此緊密,似乎被撤消了,既沒有固定的交換點,也沒有起點和終點。
只有飄蕩,浮動,多變的片段式美麗符號,只有炫惑感官的想像與期待。
是真實或虛擬?是活著還是夢著?
Cutting old magazines to create butterfly shapes,each butterfly has a unique pattern and form.
Each butterfly is placed on a lightbox for photography; the intense contrast of the lighting transforms the images into black and white effects.
These images are then animated to create a continuous, endless display,
showcasing the dynamic beauty of each butterfly.
The “Regeneration Butterfly” possesses its own distinct artistic beauty, no longer a uniform, mass-produced carrier of commercial messages.
In the video, the butterfly shapes change endlessly, enchantingly, and romantically.
They resemble the perpetually circulating life of magazines, captivating the senses.
This artwork expresses the ambiguous
transformation between new and old magazines; the old dissipates into the new, glamorous yet fleeting, seeking a state of eternal life.
The boundary between life and death feels so closely intertwined that it seems to dissolve, with no fixed points of exchange, no starting or ending.
Only fragments of beauty that float,
drift, and change, leading us to a sensory imagination and anticipation.
Is it real or virtual?
Are we alive or merely dreaming?”